Eyeing up the Dolls I

Quick Dollhouse update (missing out a lot of key MK info, like how the handler is emotionally linked to the slave in programming and other themes I may cover if I do write-up the whole series), the 2nd episode of the series featured Dick Cheney's favourite sport, 'The Most Dangerous Game' as: "Echo's latest imprint has her as the perfect date for Richard, an outdoorsman, who takes her on a romantic wilderness adventure. The experience takes a turn for the worse when Richard indicates he will conclude the "date" by hunting her for sport." Anyone who has read Cathy O'Brien's heart-wrenching accounts of her experiences as a victim of mind control will have automatically registered this as significant, and beyond coincidence that it would be in this victim's account and in a show portraying these exact type of mind control slaves (Cathy even describes in the below video her spirit/identity having been removed by the abuse/programming) in a fictional setting.

Toy with the slave... [intentional use of 'it' btw, showing dehumanization involved, these girls (and boys) are viewed as and made into objects; I'm trying to show the mentality behind it]

...sleep with it...

...then hunt it. This is one of the "elite's" favourite past-times, first-hand accounts of it are limited... for obvious reasons!!

He says something about "Keep spinning...", emphasizing the spin (think he says it twice) which is another major theme in MK, spinning/disorientation/spin programming.

I've transcribed some of Cathy's description from the below video of her experience of being hunted (while you can argue all day about the veracity of Cathy's accounts [also goes into her sex programming, being a Cat and all], obviously at some point in history some debauched rich prince/king/Emperors has hunted humans at some point [out of sheer boredem mixed with perversion/sociopathy]; when you have everything, these are the types of extremes that come from this [you have all the power, you want more; using mind controlled slaves in this way is a natural step up (raping peasants/slaves gets old, fast)], and it only gets worse with each generation of 'elite' up to today's where this is still practiced by them).

"It was early evening when they played 'Most Dangerous Game' with me. I was stripped of my clothing, I was allowed to wear tennis shoes and told that I had to start and begin running before I would be hunted down. My exposure to it resulted in my believing I had no place to run and no place to hide... One of the most extreme situations I ever survived."

This is the kind of secluded area (like Bohemian Grove etc) where things like this can take place in absolute privacy.

As Eliza/Echo is being traumatized by the sociopathic/insane (Cheney and co) 'Hunter' (actually a hired assassin), the mind shattering trauma leads to memory fragments of her past self start to break through the imprint; I have not rewatched it since first watching it a couple of weeks ago but you get the idea here. The Hunter (Richard Connell) is played by Matt Keeslar, who is the MiddleMan (if you've ever watched that show with some background knowledge of intelligence agencies/mind control then his MK seems pretty obvious), which I posted on a while back; at the time I couldn't put my finger on where I remembered him from.

The episode after that (Stage Fright [see above trailer, again mixing in Terminator's MK themes of tazer/electroshock, brain manipulation etc]) featured a corporate controlled sex-kitten, with her British agent/handler (note purple, royalty) whom she wants to be free from. You know this is symbolizing corporate slaves (Britney/Mariah/Miley/etc) as every performance starts with her in a prison/barred cage!




Then the neon light grid/cage comes up as she exits it (more cage/prison symbolism) as she dances like a Marionette (all choreographed dancing like this).


"I just want to be free!" She says often, the episode ends with her (she is Jaime Lee Kirchner [wtf is it with all these Jaime's (('I Love' french origin)), Britney's dad, Jaime Pressly]: "The daughter of a military pilot and a teacher, Kirchner was born in Germany and grew up in Clarksville, Tennessee. She began acting at The Roxy Regional Theater in Clarksville. She worked with her father on her first theatrical production, Camelot, when she was 8-years-old. Multi-talented, Kirchner also enjoyed gymnastics, dancing, singing and painting, but always favored acting and performed in over 40 shows at The Roxy." She was in Beyonce's pink panther Check on it video, posted recently [showing she's a kitten]) emotionally singing, "Freedom is all we need. To heal the pain of His-Story." because the earth's history has been a catalogue of misogyny/control/manipulation/etc (you don't have to be have any knowledge of conspiracy/mind control to see that this is the case), with groups of like-minded people at the top causing this.

Obviously there is a tonne of 'star' symbolism on Jaime's character Rayna Russell, including her glittery outfit (shining like a star).



She performed in the 'Music Box' Theatre (click for butterflies trapped in the music box post), at one point she is ritualized by having her falling and saved by a rope tied round her hands (more prison/shackles, and other symbolism; obviously a tonne of mirror symbolism in this episode).




It's worth also mentioning one of the character's whose identity is confused (you think he is a genuine contact rather than a 'doll'), he: "is an Active who is imprinted to be Lubov, a member of a Russian mob family that runs a human trafficking ring under investigation by the FBI. His purpose as Lubov is to keep Agent Ballard away from the Dollhouse." The Russian mob are deeply connected to MK/human trafficking/sex-slavery; I previously posted how the Japaneze mob, Yakuza would tattoo their slaves' backs (and pictured Eliza as a mannequin/doll from official Dollhouse posters), Eliza Dushku even has the double-headed eagle tattooed on her back, her father coming from that area (need necessary background from previous posts here and here, and more if you click Dollhouse label); this has been going on globally for centuries, this isn't a 'conspiracy theory' (not that most aren't true); just the harsh reality (Human Trafficking/sexual-slavery grows and get's more profitable every year [which the 'elite' are heavily invested in], we're talking tens of millions of slaves on this planet at present [and many of these are outright programmed multiples]) of the world we live in.

Here is one quick quote showing tattoos use confirming a lot of what I've said in numerous posts (click for context in article): "Liquorie explains the tattooing, or branding of victims is not unusual. Traffickers regard these women as property, assets to be accounted for and traded." The branding/marking of slaves as they are property, the same has happened to Eliza which I go into (Ablania, her dad etc) in this post. [I realize I've been repeating images lately btw]

[Dollhouse stuff ended, probably do a similar one of these in a few weeks, hence the 'I' in the title]

A few other celebrity kittens now, I've done lots of stuff on the Geldof's; so seeing Little Pixie (actual name) in #1 kitty, Katy Perry's carousel dress (click image for bigger image to see symbolic details, from the EMAs) wasn't exactly a shocker [the Daily Mail article I got images from has since disappeared, anyway they came from an androgynous issue of Dazed and Confused photo-shoot]. Pixie is apparently tied to a stick (more slavery/bondage), which I think is supposed to represent a the stick/pillar-things on a carousel with the horses attached to them, so doubly symbolic.

Little Pixie at the recent London Fashion Week, lady in red on the red carpet (note facial expression).

Pixie's sister Peaches was at some fashion week event in Lily Allen's outfit (frames with images inside, like windows/paintings [think Mary Poppins] into another world/dimensions, entrances [en-trance]) from her extremely MK symbolic (the tiny caravan inexplicably turns into a huge checkerboard floor palace) for 'The Fear' ("I don't know what's right and what's real anymore. I'm being taken over by the fear." numerous quotes from the lyrics worth posting) I posted on here. Again with Peaches below at fashion week, with a Goddess-looking Daisy.

Speaking of Katy, her 2009 year of living in a feline travelling circus continues as the giant cat heads/leopard-prints/tails/etc posted on here (then was Hello Kitty at the Brits) headed to London performing at the Koko Club (Coco, KK, cuckoo etc). "Kitty Katy: Miss Perry unleashes her inner feline with a leopard print catsuit" Remember she is the daughter of an evangelical preacher who dabbled in drugs used heavily in mind control, LSD (goes without saying that it has recreational use, but the drug's use in mind control is well documented [i.e. MI6 experiments and such], and was more than likely used by her father, in programming Katy).



Finishing with our last branded slave Alice [check out a Peaches Geldof/Alice Dellal post with more on this] (all of these girls are Cathy O'Brien-esque slaves; with parental involvement, rather than low-level [i.e. only drugs/electroshock/low level psychological pressure ((all used in the higher level of mind control too of course)) to achieve compliance; rather than a life time of abuse and programming creating these Monarch programmed multiples] MK'd kidnapped and trafficked slaves, they would have to be for them to be paraded so publicly), Alice Dellal who was one of the earliest (from this group of people who all know eachother) I posted on; her tattoos are dark as they come, matching her programmed persona, as in a recent macabre catwalk she showed them off and also from Dazed and Confused she shows of her "scissor-hand" (as in Depp's Edward Scissor Hands type deal, making a victim think [through drugs/hypnosis/etc so you'll genuinely believe anything] his hands or any part of their body isn't human is part of programming) with a shark by it, I think I've described some of her tattoos (you can speculate on their meanings, usually to do with their specific programming I suspect) in the past but you can see them for yourself (also note her spiked pink dog collar, chain necklaces etc). Cheers to any commenters for any of these linked to ones.




She invokes Madonna with the below conical (spiralish) bra.


Her trademark 'half-shaved head' (covered in earlier postings) inspired the Issa catwalk to make all the models do it (not actually shaving but using make-up to make the illusion), note zebra dehumanization below on poor little Dazed and Confused Alice.

Unrelated, but before I wanted to mention this; Channel 5's listings yesterday (Sunday the 1st of March) were amazing, it was MK practically all day. Starting in Oz, with Walkabout, then the Wizard of Oz, then Jumanji (MK themes), (1 hour break from MK for Ice Road Truckers), then it goes over the top with Conspiracy Theory (extremely revealing on MK as most will know, showing strobe/flashing lights, drugs etc all the standard MK usage; I've had it on DVD for a while so I should probably write it up at some point) and then to finish the night... The Manchurian Candidate! Which was great as I hadn't seen the original, only the modern version (both are excellent imo), couldn't help but take the number of times the name 'Ben' was spoken (referring to Sinatra's character Major Bennet Marco) as a personal synch. But seriously, all that in one day?! Wonder if it woke anyone up, probably not (and no doubt triggered someone, or a bunch of programmed people watching, to do something as those movies, the Wizard of Oz in particular are perfect for programming triggers contained within the movie [haven't checked for "random" killings or anything like that yet, it may not have happened yet of course; i.e. the sleeper is preparing it now having been triggered to do so, and carry out the action ((a bombing or whatever)) at a given time]).

Welcome to New York City of Love!

As I sat down to watch some TV last night, I was pretty amazed by the synchronicity of having just finished the previous post (on sex slaves/double headed eagle/eastern europe etc) then having virtually all these themes pop up in a CSI:NY episode (downloaded so latest from America). I keep putting off other posts though so I want to get this done ASAP so it will feel rushed probably.

Tara enters New York City of LOVE! [It is no coincidence in them choosing that name for the main victim of the show.]


Tara is greeted by Katie (going by the name Caroline here [symbolizing lost identity/sense of self] "Caroline is Katie"), a fully programmed/willing sex-slave handler [presumably offered a way out of the horrors of sex-slavery but only if she becomes a handler herself (making her think she is 'one of them', entrapping her further)] who greets future slaves; making them feel safe and welcomed [so not suspecting at all of what's to come; why wouldn't they trust a young girl like themselves?]), they both run into another victim of trafficking/slavery, the father of a trafficked sex-slave from Eastern Europe (see Julia Ormond description below further down).

"His daughter had disappeared, she came in from the Ukraine she was promised some kind of a modelling job [see "We're Going To Be Models!" post for more on this + New York] and he hadn't heard from her since. Ronnie, that was her name. She was one of those people who falls through the cracks, language barrier, lack of information of as to where she was, who she was with."

Julia Ormond gives the above quote, who I covered in reasonable detail in a David Lynch post where she campaigns against slavery/human trafficking in reality (and in fiction; both worlds [reality and fiction/fantasy] are pretty much the same to these MK'd actors) to various corrupt institutions (US Gov't/UN). She gives an emotional dialogue with Sinise later in episode, about how her 14 year old niece Rachel went missing (implying she's been trafficked).

The father came over to America from the Ukraine to rescue his daughter from the slave-traders. Bright Lights referencing the lights of New York, further emphasized by the new slave being taken by Katie (programmed handler) to a photo booth, with more bright/flashing lights [bright lights, strobe/flashing lights cause dissociation]. You can just about make out the Russian double headed eagle on the father's passport watermark.

He is killed by a slave-handler, symbolically stabbed through the I of BIG (eye) into his heart; Big Apple/Original Sin, Manhattan/Mad Hatter, NY/OZ these are all pertinent connections here and many more.





The "models", at what they think is some sort of welcoming party are drugged as the music slows down symbolising their loss of time/consciousness, note Empire State Building positioned behind Tara.


Their drinks are spiked and they all pass out (for transportation to the sex-slave den [images further down]) one by one, as the drug takes hold of each of them...






And symbolizing their shattered minds we have a glass dropped and shattered at the end of the scene (then they are taken to the warehouse where they are traumatized [mind shattering programming] and drugged).








Another Julia Ormond quote from the episode: "This place was probably filled with 30 young girls just like her from all over, Eastern Europe, Latin America, even the US. They all left home with big dreams and now they're living a very real nightmare as sex-slaves; being beaten, drugged who knows what else." [there's a reason why electroshocking is virtually never mentioned in things like this as probably the most effective form of traumatizing thus controlling slaves, whilst leaving them with virtually no physical scars (so their price doesn't go down)] Then Gary Sinise says their "handlers" must have known the police were coming.


More Original Sin symbolism (Tara [one from start] offering another victim an apple), then it's shown how she refuses water (which is drugged) so she is beaten.



Katie in purple is the one who stays behind (probably ordered to by the main handler to find out how much they know and such), and she escapes through the bathroom window (back to her handler). She says how she has no family/or at least none that care about her (standard MO of victim, gone into many times the family situation is always an important factor [though victims can easily be led into thinking their family is dead/doesn't care about them (even if they do and are looking for them) so they give up hope/don't try to escape].

When Tara is finally reunited with her overprotective father, she apologizes (to "daddy") for disappointing him ;|


As mentioned earlier, the Empire State Building (the illuminist empire is built on slavery [British slave trade up to modern day slavery; it's always been a lucrative/helpful business]) is consciously used symbolically (positioned behind Tara), the quick panning across the city skyline camera shots these shows always have are also symbolic as they focus on the Chrysler Building, with it's illuminated triangles (and all the other symbolic towers). The Chrysler Building is basically a Freemasonic stronghold as evidenced by Matthew Barney's (Yale/Skull and Bones, long-term Bjork handler) Cremaster 3 where the aforementioned double headed eagle is rediculously prevolent (one example from it below, I wrote up some of Cremaster 3 in this post; though obviously if I wrote it up today I'd cover more of the obvious misogyny/dehumanization/MK in it).


Anyway, skipping out a large chunk of it (they rescue them, happy days) the next slave who expected to become a model (see "We're Going to be Models!" post for more of this kind of thing) and enters the bright lights of NY/OZ is greeted by Katie, who is arrested.





[Cased Closed, never mind that she is obviously a programmed victim herself, all is wrapped up nicely; slavery/trafficking has been cured by arresting this young girl.]

This episode felt kind of ironic as the previous one included a "salsa instructor" called Ms. Love, dressed suitably in leopard-print (sex-kitten programming) with mirrors + sun symbolism as she spins around whilst dancing.



And even more blatant in the episode before that [Help], I include White Rabbit ears + wedding day Mannequins for comedic purposes (the whole concept of the wedding ritual is a complete sham in my opinion; you do it just because everyone else does, get excited/go nuts about a dress etc. [hence the Mannequins])


Note the sets of Twin Pillars , leopard-print masked dancers (on illuminated squares).



To emphasize the building symbolism (towers/phallus/occult architecture/etc), it cuts straight from the above masked sexy dancer (in leopard-print, hard to make out) to a shot of the Chrysler building (again, synch to the double headed eagle/Chrysler building/compass square image copied below).


The episode was about a sociopathic serial rapist who runs the masked dancers club (and his wife is stereotypically ignorant to his true nature) AKA the illuminist fuckers at the top of the pyramid who are involved in trafficking millions of people around the world for countless reasons all associated with control of the planet.


The rapist gives jewelry he takes from his victims and gives them to his wife, which she symbolically keeps in a hexagonal box, also note the glass limbless statue (that Lynch/Julia Ormond post has lots on loss of limbs/losing a part of yourself).

Please click CSI label for more on New York (lots more MK in the previous episodes related to this [i.e sex dolls]) and Las Vegas. Sex-slaves/trafficking also featured in a recent CSI (a mentally ill couple who pretend to be FBI agents, amazingly so [as they are alter-personalities] synchs up with Julia Ormond's film Surveillance), I have lots more to say about that one but no time so I'll just post her in leopard-print signifying her sex-kitten programming.

Above is a group of slaves being transported, below she is being interviewed by the fake cops (she is shot in the head 3 days later) note the times on both are symbolic.








Law and Order Special Victims Unit (based in New York) has started getting into some real issues, with an episode on abusive Eastern European father, programming his daughters to be 'geniuses' (programmed in a basement where he forces his daughters to study, whilst kneeling on rice [painful], hitting them with a cain etc; he called it 'hothousing' (name of the episode: Hothouse).

Elsa's (the dead victim) sister describes how "Elsa was papa's exotic flower. She needed devoted care and attention to flourish."


Mariska pretends to be a 'Madam' (sex-kitten/slave handler/trader [with Ice-T in the background, check out Cocobots post for info on him and his 'wife']) and she inspects the girls, recognizes they are drugged between the toes, to hide the injection scars.



Sarah Hyland's character is hopped up on pills and is sleep deprived (sleep deprivation another well known method of MK [described as a torture technique in the episode]), because she is training to be a Chess Master. Her drugged/sleep deprived state leads her to kill Elsa.


The school she goes to (high pressure leading these kids to abuse drugs; happens everywhere in reality also) is Morewood school, you can see that kind of symbol ([on the red shield above] I've wondered about it for a while; I'm pretty ignorant about it, please let me know if you have info on it [Edit: Surprise surprise it's a symbol of the Monarch/'elite', a lilly and an MK psychoactive, see tommy's comment]) very faintly on the handler injecting heroin into a victim further up.


Sarah's notebook (where her drugged/sleep deprived-induced altered-state leads to the above writing) is purple, covered in butterflies.


Speaking of victims as flowers; they are often even named as such (Rose/Lily/etc) as a little girl is kidnapped called Rosie in the latest episode where butterfly imagery is all over her room (and masks and others).

Mariska Hargitay is for another post (daughter of 1950's sex-kitten [her father is one too]; her mother was killed in a car 'accident' with Mariska in the back seat [obviously very traumatic]) as there is a lot on her worth going into.


But the episode before 'Hothousing', called 'Stranger' featured sex-slaves as it's main theme with a girl (who is not the girl she says she is [identity confusion]) who has returned to her family (not really hers) after living in sexual-slavery for the past few years (which she had been). Above image is from it, see one of the Sex and the City chicks (that shit is total brainwashing [the above newspaper obviously referencing it, note colors]) with MPD/DID in a previous SVU from this post.

Note 333, the apparent victim's sister (not her actual sister) wearing a butterfly (you find out by the end that this girl wearing the butterfly, had actually killed her real sister) and also a ballerina painting framed with Mariska [I'm sure if you took the time to research the various guest stars; like Ellen Woglom below, you'd find interesting things].


Very first scene of the episode has her in a monster's mask, an early indication that she is the real murderer of her sister (we're never told what messed her up creating this 'monstrous side').



"After four years he's established total domination over her. Heather's programmed to follow orders blindly and without question, the ultimate test of his power is taking her out in public." [referencing the programmer having taken her to Church on a few occasions] Quote from the psychiatrist who goes on to describe examples of others who took a victim to a karaoke bar and no one noticed, this fits with MK/Monarch slaves described as being taken and used at karaoke bars (this link goes into it).

She has a tattoo (symbolic of marked slaves) to convince the family she is Heather.

As soon as they find out she is not really Heather everyone turns against her (despite the genital bruising from abuse and other evidence of her slavery) as she is charged with identify theft (basically what MK [Mind Kontrol] is, stripping it's victims of identities to be replaced/programmed with another, false one). She cuts her wrists in a suicide attempt, and tells Mariska that she didn't report him (explaining the elaborate identity theft [which is obviously MK symbolism also]) because

We find out she had been kept in a prison by her own father and used as a sex-slave for six years; he thinks he has programmed her to be totally obedient but she managed to escape (tricked the dad into getting the tattoo then ran). This story had clear and conscious similarities with the Joseph Fritzl case, the media frenzy over it I think gives the false impression that sexual slavery is only limited to isolated cases of creepy old loners abusing their children for many years; rather than the global problem it is (and continues to grow every year).


So yeah, that CSI:NY episode kind of forced my hand with this one; it allowed me to get a few other shows' episodes out of the way I've had on my mind though.